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The Queens of Innis Lear - Tessa Gratton
Down Girl: the logic of misogyny - Kate Manne
Only Human - Sylvain Neuvel
The Covert Captain - Jeannelle M. Ferreira
The Queens of Innis Lear is a female focused fantasy retelling of King Lear. Sounds right up my alley, right? Except whatever seed of promise it has quickly gets buried in tediously overwritten prose and at least three hundred unnecessary pages. Needed a good hack-and-slash editing.
Okay, reading Down Girl was my own fault. I'd seen something about the book somewhere and come away with the impression that it was for general audiences. It is not. And when I realised that instead of putting it down and seeking out something more my speed I ploughed on through hundreds of pages of moral philosophy. I don't disagree with anything Manne says about misogyny as the law enforcement arm of the patriarchy, but I also understand a lot better why Chidi Anagonye ended up in the Bad Place.
The law of diminishing returns is strong with The Themis Files. The first book in the series was outstanding, the second was fair-to-middling. By the time we get to Only Human... Oh, dear. The ending is unsatisfying, and the author has gotten locked into the format (which worked so well in book one!) of presenting everything in the form of interviews. Except by book three they're not interviews. They're just two characters who know each other well talking. Seriously, that's not an interview. It's a conversation. Stop it.
The Covert Captain is SO BAD, YOU GUYS. It's about a woman who's been disguised as a man in the army for years and when she returns to England she falls for her commanding officer's sister. And I am 100% the audience for a book with that plot, and if it were any good at all I would surely be reccing it to high heaven, but alas it is SO, SO BAD. It is bad on a technical word handling, sentence structure level. It is bad on a characterisation level; can we see how the fiancée got from freaking out that her intended is a woman to being totally cool with it? Does the character who spent 10+ years disguised as her dead brother have any thoughts about gender or identity? No, okay then. It is bad on a plot level; never mind dealing with the gender reveal because now here's a long lost brother! Never mind that! Now they've all got scarlet fever!
*insert obligatory whine about how shite f/f romances are here*
Down Girl: the logic of misogyny - Kate Manne
Only Human - Sylvain Neuvel
The Covert Captain - Jeannelle M. Ferreira
The Queens of Innis Lear is a female focused fantasy retelling of King Lear. Sounds right up my alley, right? Except whatever seed of promise it has quickly gets buried in tediously overwritten prose and at least three hundred unnecessary pages. Needed a good hack-and-slash editing.
Okay, reading Down Girl was my own fault. I'd seen something about the book somewhere and come away with the impression that it was for general audiences. It is not. And when I realised that instead of putting it down and seeking out something more my speed I ploughed on through hundreds of pages of moral philosophy. I don't disagree with anything Manne says about misogyny as the law enforcement arm of the patriarchy, but I also understand a lot better why Chidi Anagonye ended up in the Bad Place.
The law of diminishing returns is strong with The Themis Files. The first book in the series was outstanding, the second was fair-to-middling. By the time we get to Only Human... Oh, dear. The ending is unsatisfying, and the author has gotten locked into the format (which worked so well in book one!) of presenting everything in the form of interviews. Except by book three they're not interviews. They're just two characters who know each other well talking. Seriously, that's not an interview. It's a conversation. Stop it.
The Covert Captain is SO BAD, YOU GUYS. It's about a woman who's been disguised as a man in the army for years and when she returns to England she falls for her commanding officer's sister. And I am 100% the audience for a book with that plot, and if it were any good at all I would surely be reccing it to high heaven, but alas it is SO, SO BAD. It is bad on a technical word handling, sentence structure level. It is bad on a characterisation level; can we see how the fiancée got from freaking out that her intended is a woman to being totally cool with it? Does the character who spent 10+ years disguised as her dead brother have any thoughts about gender or identity? No, okay then. It is bad on a plot level; never mind dealing with the gender reveal because now here's a long lost brother! Never mind that! Now they've all got scarlet fever!
*insert obligatory whine about how shite f/f romances are here*
no subject
Date: 2018-05-29 09:48 pm (UTC)Alas, I got stuck in the bad books vortex.