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I know it's been yonks since my last reading post, but in my defence The Wall of Storms is, like, nine hundred pages long.
The Rogue Not Taken - Sarah MacLean
The Wall of Storms - Ken Liu
We Go Around in the Night and Are Consumed by Fire - Jules Grant
The Secret History of the Mongol Queens - Jack Weatherford
Certain Dark Things - Silvia Moreno-Garcia
Sarah MacLean's historical romances are hit and miss for me, and The Rogue Not Taken was definitely a miss. The first time I read that her new series was going to be a sort of Kardashians Regency AU (the heroines are all scandalous sisters whose first initial is S) I went '...eh, I'm not sure that's going to work', and at least in this one, it didn't. It features one of those irksome couples who insist on not communicating for two hundred pages, because if they actually talked to each other the book would only be twelve pages long. The heroine is upset about being rich and titled, and just wants to run a small bookshop in the Cumbrian countryside, which I think is meant to be relatable but was just insufferable. The Hero is named King (King, for God's sake) you have to have a certain sort of charm and gravitas to pull off a name like King, and this dude did not have it in spades. Give it a pass, I'd say.
The Wall of Storms is the follow up to The Way of Kings which I'd read when it first came out and had only been 'eh' on. I'd really loved the prose and silkpunk worldbuilding, but I'd had pretty big issues with its handling of female characters, which had been, um, tokenistic. I feel like whatever criticism of The Way of Kings' female characters there was, Liu really took it to heart, because The Wall of Stoms is orders of magnitude better on that front. There is a running subplot about the emperor trying to arrange the pieces on the board to enable him to name his daughter his heir; one of the pov characters is a young female scholar and it shows the institutional hurdles she faces even though the emperor has said, 'sure, women can sit the palace examinations.' Plus, a little more than half the way through vikings attack on vegetarian dragons, so that's cool. I mean, it's long and pretty dense, but I'd rate it as one of the better epic fantasies on the go at the moment.
We Go Around in the Night and Are Consumed by Fire is about lesbian gangsters in Manchester, and is a hell of a fun read, about friendship and revenge and being irresistible to most of the women in the north of England. Okay, there are some stylistic choices that I didn't necessarily grok; it's a very tight first person, and why do you hate speech marks so much, Jules Grant? But it's about lesbian gangsters, so I'm willing to overlook that stuff.
The Secret History of the Mongol Queens is my favourite sort of history; the secret history of women. It's about the female descendants of Genghis Kahn, at least the ones who survived being excised from the historical record. I particularly enjoyed reading about Queen Manduhai, who took her boy husband to war in a box, and despite this ignominious beginning they seemed to have a long and happy marriage. More broadly, it was another illustration of the journey of women through history being one of one step forward, half a dozen steps back.
I finished Certain Dark Things last night after staying up past my bedtime because I was enjoying it that much. It's the first vampire book I've read in forever where my reaction wasn't 'ugh, bored.' I think maybe the only genre harder to make feel fresh is zombies? It's set in an AU version of Mexico City in a world where various species of vampires were discovered by humanity in the late sixties. A seventeen year old trash picker falls in with an Aztec vampire on the run (the native species of Mexican vampires trace their lineage back to the Aztecs, but they're being pushed out by an invasive species of European vampires.) The friendship, turned romance is actually very sweet. It helps that the boy is the human and the girl the vampire rather than the usual other way round, and that the age difference is seventeen to twenty-three, which, yeah, is significant, but it's not seventeen to three hundred. Also, there's a genetically engineered doberman, and it's just really good. Highly recommended.
The Rogue Not Taken - Sarah MacLean
The Wall of Storms - Ken Liu
We Go Around in the Night and Are Consumed by Fire - Jules Grant
The Secret History of the Mongol Queens - Jack Weatherford
Certain Dark Things - Silvia Moreno-Garcia
Sarah MacLean's historical romances are hit and miss for me, and The Rogue Not Taken was definitely a miss. The first time I read that her new series was going to be a sort of Kardashians Regency AU (the heroines are all scandalous sisters whose first initial is S) I went '...eh, I'm not sure that's going to work', and at least in this one, it didn't. It features one of those irksome couples who insist on not communicating for two hundred pages, because if they actually talked to each other the book would only be twelve pages long. The heroine is upset about being rich and titled, and just wants to run a small bookshop in the Cumbrian countryside, which I think is meant to be relatable but was just insufferable. The Hero is named King (King, for God's sake) you have to have a certain sort of charm and gravitas to pull off a name like King, and this dude did not have it in spades. Give it a pass, I'd say.
The Wall of Storms is the follow up to The Way of Kings which I'd read when it first came out and had only been 'eh' on. I'd really loved the prose and silkpunk worldbuilding, but I'd had pretty big issues with its handling of female characters, which had been, um, tokenistic. I feel like whatever criticism of The Way of Kings' female characters there was, Liu really took it to heart, because The Wall of Stoms is orders of magnitude better on that front. There is a running subplot about the emperor trying to arrange the pieces on the board to enable him to name his daughter his heir; one of the pov characters is a young female scholar and it shows the institutional hurdles she faces even though the emperor has said, 'sure, women can sit the palace examinations.' Plus, a little more than half the way through vikings attack on vegetarian dragons, so that's cool. I mean, it's long and pretty dense, but I'd rate it as one of the better epic fantasies on the go at the moment.
We Go Around in the Night and Are Consumed by Fire is about lesbian gangsters in Manchester, and is a hell of a fun read, about friendship and revenge and being irresistible to most of the women in the north of England. Okay, there are some stylistic choices that I didn't necessarily grok; it's a very tight first person, and why do you hate speech marks so much, Jules Grant? But it's about lesbian gangsters, so I'm willing to overlook that stuff.
The Secret History of the Mongol Queens is my favourite sort of history; the secret history of women. It's about the female descendants of Genghis Kahn, at least the ones who survived being excised from the historical record. I particularly enjoyed reading about Queen Manduhai, who took her boy husband to war in a box, and despite this ignominious beginning they seemed to have a long and happy marriage. More broadly, it was another illustration of the journey of women through history being one of one step forward, half a dozen steps back.
I finished Certain Dark Things last night after staying up past my bedtime because I was enjoying it that much. It's the first vampire book I've read in forever where my reaction wasn't 'ugh, bored.' I think maybe the only genre harder to make feel fresh is zombies? It's set in an AU version of Mexico City in a world where various species of vampires were discovered by humanity in the late sixties. A seventeen year old trash picker falls in with an Aztec vampire on the run (the native species of Mexican vampires trace their lineage back to the Aztecs, but they're being pushed out by an invasive species of European vampires.) The friendship, turned romance is actually very sweet. It helps that the boy is the human and the girl the vampire rather than the usual other way round, and that the age difference is seventeen to twenty-three, which, yeah, is significant, but it's not seventeen to three hundred. Also, there's a genetically engineered doberman, and it's just really good. Highly recommended.
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Date: 2017-03-29 02:47 pm (UTC)no subject
Date: 2017-03-29 04:00 pm (UTC)no subject
Date: 2017-03-30 03:27 am (UTC)I just added Certain Dark Things to my wishlist.