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The Girl on the Train - Paula Hawkins
Dark Places - Gillian Flynn
Three Weeks with Lady X - Eloisa James
Under the Banner of Heaven - Jon Krakauer
Last First Snow - Max Gladstone


The Girl on the Train is being held up by all and sundry as the next Gone Girl, and it's easy to see where the comparison comes from, with the revolving POVs and unlikable female characters. I certainly had a similar reading experience with both books, where I wolfed them down in a sitting or two without ever being sure if I was enjoying them.

The thing I thought that was really well done aboutThe Girl on the Train though, were the scenes where Rachel's drunk, which were cringey and hard to read in the exact way that remembering being that drunk is. I was less impressed with the thing that pushed her from being a drinker into a drunk (I was a bit haunted by the bit where Rachel talks about how easy it is to go from one to the other; there but for the grace of god and all that...) was her infertility. I do lack a bit of natural sympathy for that trope, nevertheless I think it is overdone in the extreme as a way of motivating female characters. (Hi, last Avengers movie!)

Dark Places was about a woman revisiting the murders of her mother and sisters by her brother during the "satanic panic" of the eighties. I may be less impressed by Gillian Flynn's writing than some, but by God, the woman knows how to write a page turner, and how to rock a plot twist.

Three Weeks with Lady X is a regency romance where the bastard son is endeavoring to woo a society lady in order to make himself respectable and instead falls in love with his interior decorator. It's elevated above the generic by the epistolary sections, which are laugh out loud funny. Will probably read more Eloisa James.

I read Under the Banner of Heaven mostly because I wanted to check out Krakauer's writing/journalism before deciding if I wanted to read his book about campus rape. Sorry, but if you're a dude writing about rape culture, I want a taste of your style and credentials on a subject that's less personally fraught. I read this history of mormon extremism cumulating in the murder of a woman and her baby in horrified fascination, and I probably will read Missoula.

I will rec Max Gladstone's Craft sequence to all and sundry - it's a magic!punk world where the Gods were beaten in a series of wars by craftspeople, who are like a cross between magicians and lawyers, and it's awesome - but Last First Snow was not my favourite installment. I think because even though it's the fourth one published it's the first chronologically, and I didn't know that before I picked it up. Also it's been two years since I read Two Serpents Rise and I'm a bit hazy on the plot details, so I spent a lot of this one going, okay, I know I think Temoc's a dick, but I can't remember why I think he's a dick. I do still recommend the series wholeheartedly, though.

I'm currently failing to be gripped by the first Benjamin January novel, which is a shame because I'm in the market for a new long series that I can dip in and out of, but I'm only about 10% in, so I guess I'll give it another fifty or so pages to grab me before dropping it.

*

I have the cast off my broken ankle, another week off work, and instructions to start trying to walk on it. The unexpected boon of not having a desk job. On the up side, I've had five weeks off work in the height of summer; on the down, it's been the wettest Scottish summer since records began, which, frankly, is saying something, and I have a sneaking suspicion that when I do get back I'm going to find myself scheduled for every awkward, antisocial shift from now until Christmas.

*

While I was laid up I binge watched Person of Interest; four seasons of more than twenty episodes apiece in a little over a month.

At first I kept hitting next episode because it wasn't like I was going anywhere, and a by the numbers procedural was just what my tea and painkiller numbed brain ordered. Around about Season Three I got really into it. I kind of admire the showrunners, who probably could have kept the show on the air for ten years as a fairly unmemorable crime of the week show, committed to the AI God War direction. Even if all it nets them is another half a season to wrap things up, I think it was a bold choice.

I was surprised by how much I came out of it shipping Root/Shaw. It was If-Then-Else that really sold me on it, up until then I'd been going: well, I get what everyone else is seeing, but this isn't the sort of show where I ship people or want to consume fanworks... Er, yeah, right.

Basically, I am having many Root/Shaw and I Love Everyone In This Bar emotions, and I would like to soothe my binge watch battered brain with fic, if anyone has any recs?

Thus far I have enjoyed this apocalypse AU and this Mrs & Mrs Smith AU.

Date: 2015-08-09 02:36 pm (UTC)
endeni: (Default)
From: [personal profile] endeni
/what is it about the relationship between a sociopath and a God bothering killer for hire that screams fluffy AU?/ - LOL, that's true with so many fandoms with grim canons. *shakes head* I mean, I'm not one for extreme angst or gratuitous h/c but I really don't get why if you don't like overly-dramatic canons you have to exorcise them with teeth-rotting fluff where all the main characters are terribly OOC instead of just choosing to play with a fluffier canon. I mean, to each their own but wouldn't it be an easier process? :D

Also, winter soldier!Shaw is such a terrific idea! *_* (And now I kind of want to draw it but, ah, I have a tons of other fannish things to do too).

About PoI, yes, it's so fascinating to me to see how the show played with the idea of the AIs being gods, how Harold started out as a father to the Machine only for her to grow up and later be the one to protect him. How between the Machine and Samaritan, the one who's playing for the right side is the one whose name makes you think of Terminator while Samaritan is the bad guy. Ironic, right? How Finch and Reese find so neatly their mirrors in Root and Shaw: the tech genius and the military badass. (Only, of course there's much more to their characters.) And it's so cool that to act as mirrors the writers chose *female* characters. (And, of course, the slashness/femslashness factor gets mirrored too, only in Root/Shaw it becomes explicit which BTW really hits my Finch/Reese sweet spot.) And last thing, Bear! So cuuuute! *_*
Edited Date: 2015-08-09 02:39 pm (UTC)

Date: 2015-08-10 05:51 pm (UTC)
endeni: (Default)
From: [personal profile] endeni
Oh, wow, that graphics is amazing, thanks for the link! *_*

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